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HOW TO BUILD A SECOND FLOOR ADDITION - HOW TO BUILD A 


How To Build A Second Floor Addition - How Much To Rent A Floor Sander.



How To Build A Second Floor Addition





how to build a second floor addition







    addition
  • The action or process of adding something to something else

  • The process or skill of calculating the total of two or more numbers or amounts

  • a quantity that is added; "there was an addition to property taxes this year"; "they recorded the cattle's gain in weight over a period of weeks"

  • A person or thing added or joined, typically in order to improve something

  • a component that is added to something to improve it; "the addition of a bathroom was a major improvement"; "the addition of cinnamon improved the flavor"

  • accession: something added to what you already have; "the librarian shelved the new accessions"; "he was a new addition to the staff"





    how to
  • Providing detailed and practical advice

  • Practical advice on a particular subject; that gives advice or instruction on a particular topic

  • A how-to or a how to is an informal, often short, description of how to accomplish some specific task. A how-to is usually meant to help non-experts, may leave out details that are only important to experts, and may also be greatly simplified from an overall discussion of the topic.

  • (How To’s) Multi-Speed Animations





    build
  • Incorporate (something) and make it a permanent part of a structure, system, or situation

  • build up: form or accumulate steadily; "Resistance to the manager's plan built up quickly"; "Pressure is building up at the Indian-Pakistani border"

  • physique: constitution of the human body

  • Construct (something, typically something large) by putting parts or material together over a period of time

  • construct: make by combining materials and parts; "this little pig made his house out of straw"; "Some eccentric constructed an electric brassiere warmer"

  • Commission, finance, and oversee the building of (something)











how to build a second floor addition - Twist &




Twist & Shout Addition: Yellow


Twist & Shout Addition:  Yellow



Who wouldn't want to twist and shout their way to learning addition tables from 1-12. It's fun, it's lively and the learning is done to a toe-tapping musical beat. Kids groove and move their way through four games, each with a teach" and a quiz mode. Then they twist the number dial to solve the equation and hit it to select an answer. Answers are heard and seen on the LCD screen. It also introduces subtraction.

It looks like a Jedi light saber (and surely more than one Star Wars fan will play with it as such), but this unique and colorful toy is actually a snappy way to master addition. Create addition problems by turning and spinning the dials. Then, with a click of a button, an LCD display screen lets you see and hear the correct answer. Catchy music makes learning fun, and a friendly, cartoonish voice repeats the answer, then encourages and congratulates with each success. Included are simple instructions that make learning and using easy. This cool tool can be used to build math equations, self-test, learn addition tables in sequence, or be tested with random equations (the toy also gently introduces subtraction). Made of hard plastic, this item is extremely portable and has automatic shut-off. It is somewhat loud, however, so it's not appropriate for quieter environments. --Tom Keogh










84% (8)





Charles Scribner's Sons Building




Charles Scribner's Sons Building





Midtown Manhattan, New York City, New York, United States of America

The Scribner Building, built in 1912-13, is an elegant Beaux-Arts commercial structure by the eminent American architect Ernest Flagg. This was the second building Flagg designed-for the prominent publishing firm of Charles Scribner's Sons and incorporated many of the same design features of the earlier work, expanding and elaborating them for this new, more fashionable midtown location at Fifth Avenue near 48th Street.

After occupying several offices in lower Manhattan, in 1893 the company decided to move uptown and bought land at 155 Fifth Avenue. Charles Scribner's brother-in-law, Ernest Flagg, was commissioned to prepare the plans for the new building. This was a six-story, lime- stone-faced structure with a large bookstore occupying the street floor. Twenty years later, when Scribner's followed the commercial movement northward to midtown Manhattan, Flagg was again asked to design their new headquarters at 597 Fifth Avenue.

Ernest Flagg (1857-1947) was a prominent and talented American practitioner of French Beaux Arts design principles. His long and varied career produced fine institutional buildings such as St. Luke's Hospital (1891) and the Corcoran Gallery of Art In Washington, D.C. (1891); commercial structures such as the Singer Tower (1906-08, demolished), a smaller Singer Building at Broadway and Prince Street (1904) in the Soho-Cast Iron Historic District, and the Produce Exchange Bank (1905, demolished); elegant townhouses such as those he designed for Charles Scribner II at 9 East 66th Street and for Oliver G. Jennings (1898) at 7 East 72nd Street, a designated New York City Landmark; firehouses such as that for Engine Company No. 33 on Great Jones Street (1898),a designated New York City Landmark, and that for Engine Company No. 67 on 170th Street. He is also known for the design of the ten original buildings of the campus of the United States Naval Academy at Annapolis (.1899-1907).

Flagg displayed his concern for social and planning issues through his writings as well as through his designs. Despite the fact that the Singer Tower was the tallest building in the world when it was constructed, in his article "The Limitation of Height and Area of Buildings in New York" Flagg argued in favor of zoning laws which would regulate the height and setback of buildings to allow light and air to reach the streets below them.

The Mills Hotels for working men which he designed, showed that decent, fireproof housing could be provided at low cost. Other endeavors of this type were the model tenements he designed for the City and Suburban Homes Company between 68th and 69th Streets near Amsterdam Avenue and for the New York Fireproof Association between 41st and 42nd Streets on Tenth Avenue. (Both were built before 1902.) In his book Small Houses: Their Economic Design and Construction (1922) Flagg detailed a system of modular construction with concrete, In order to reduce the costs of building.

Indications of Flagg's superb sense of design and innovative ideas were evident early in his career. After floundering through a series of unsuccessful business ventures, he joined with architect Philip G. Hubert in the advance sale and construction of cooperative apartment buildings. Flagg's first attempt at planning was for one of these buildings, the Knickerbocker, which stood at Fifth Avenue and 28th Street. He devised a system of duplex apartments for this building which was most unusual at the time.

Flagg's cousin Cornelius Vanderbilt was so impressed with Flagg's planning ideas that he sponsored the young man's study at the Ecole des Beaux-Arts in Paris. There Ernest Flagg worked in the atelier of Paul Blondel and absorbed the principles of logical planning and formal design which the school stressed. These principles included the idea of a "parti" or general conception of the building, how it would most logically meet all its requirements and constraints and the way all the various parts of the structure would fit together. According to Flagg, for an architect trained at the Ecole des Beaux Arts, the solution to all these problems would be most clearly expressed in a plan based on logic. The design of the exterior would then grow naturally out of this plan and be closely linked to it. Further, Flagg wrote that architectural principles were learned from the human form: "symmetry from right to left and diversity from head to foot."^

Flagg applied these principles to the buildings he designed on his return to the United States in 1891. His first commission at that time was for St. Luke's Hospital on West 113th Street in New York City. It had a large domed, central tower surrounded by separate pavilions connected by corridors to one another. The plan called for each section to be we I I-ventilated with fresh air and able to be closed off in order to prevent the spread of contagious diseases.

In











Charles Scribner's Sons Building




Charles Scribner's Sons Building





Fifth Avenue, Midtown Manhattan, New York City, New York, United States

The Scribner Building, built in 1912-13, is an elegant Beaux-Arts commercial structure by the eminent American architect Ernest Flagg. This was the second building Flagg designed-for the prominent publishing firm of Charles Scribner's Sons and incorporated many of the same design features of the earlier work, expanding and elaborating them for this new, more fashionable midtown location at Fifth Avenue near 48th Street.

After occupying several offices in lower Manhattan, in 1893 the company decided to move uptown and bought land at 155 Fifth Avenue. Charles Scribner's brother-in-law, Ernest Flagg, was commissioned to prepare the plans for the new building. This was a six-story, lime- stone-faced structure with a large bookstore occupying the street floor. Twenty years later, when Scribner's followed the commercial movement northward to midtown Manhattan, Flagg was again asked to design their new headquarters at 597 Fifth Avenue.

Ernest Flagg (1857-1947) was a prominent and talented American practitioner of French Beaux Arts design principles. His long and varied career produced fine institutional buildings such as St. Luke's Hospital (1891) and the Corcoran Gallery of Art In Washington, D.C. (1891); commercial structures such as the Singer Tower (1906-08, demolished), a smaller Singer Building at Broadway and Prince Street (1904) in the Soho-Cast Iron Historic District, and the Produce Exchange Bank (1905, demolished); elegant townhouses such as those he designed for Charles Scribner II at 9 East 66th Street and for Oliver G. Jennings (1898) at 7 East 72nd Street, a designated New York City Landmark; firehouses such as that for Engine Company No. 33 on Great Jones Street (1898),a designated New York City Landmark, and that for Engine Company No. 67 on 170th Street. He is also known for the design of the ten original buildings of the campus of the United States Naval Academy at Annapolis (.1899-1907).

Flagg displayed his concern for social and planning issues through his writings as well as through his designs. Despite the fact that the Singer Tower was the tallest building in the world when it was constructed, in his article "The Limitation of Height and Area of Buildings in New York" Flagg argued in favor of zoning laws which would regulate the height and setback of buildings to allow light and air to reach the streets below them.

The Mills Hotels for working men which he designed, showed that decent, fireproof housing could be provided at low cost. Other endeavors of this type were the model tenements he designed for the City and Suburban Homes Company between 68th and 69th Streets near Amsterdam Avenue and for the New York Fireproof Association between 41st and 42nd Streets on Tenth Avenue. (Both were built before 1902.) In his book Small Houses: Their Economic Design and Construction (1922) Flagg detailed a system of modular construction with concrete, In order to reduce the costs of building.

Indications of Flagg's superb sense of design and innovative ideas were evident early in his career. After floundering through a series of unsuccessful business ventures, he joined with architect Philip G. Hubert in the advance sale and construction of cooperative apartment buildings. Flagg's first attempt at planning was for one of these buildings, the Knickerbocker, which stood at Fifth Avenue and 28th Street. He devised a system of duplex apartments for this building which was most unusual at the time.

Flagg's cousin Cornelius Vanderbilt was so impressed with Flagg's planning ideas that he sponsored the young man's study at the Ecole des Beaux-Arts in Paris. There Ernest Flagg worked in the atelier of Paul Blondel and absorbed the principles of logical planning and formal design which the school stressed. These principles included the idea of a "parti" or general conception of the building, how it would most logically meet all its requirements and constraints and the way all the various parts of the structure would fit together. According to Flagg, for an architect trained at the Ecole des Beaux Arts, the solution to all these problems would be most clearly expressed in a plan based on logic. The design of the exterior would then grow naturally out of this plan and be closely linked to it. Further, Flagg wrote that architectural principles were learned from the human form: "symmetry from right to left and diversity from head to foot."^

Flagg applied these principles to the buildings he designed on his return to the United States in 1891. His first commission at that time was for St. Luke's Hospital on West 113th Street in New York City. It had a large domed, central tower surrounded by separate pavilions connected by corridors to one another. The plan called for each section to be we I I-ventilated with fresh air and able to be closed off in order to prevent the spread of contagious diseases.











how to build a second floor addition








how to build a second floor addition




Addition






Grace Lisa Vandenburg orders her world with numbers: how many bananas she buys, how many steps she takes to the cafE, how many poppy seeds are in her daily piece of orange cake. Every morning she uses 100 strokes to brush her hair, 160 strokes to brush her teeth. But Grace's life is about to change on a day when all the tables at her regular cafE are full, and a stranger, Seamus Joseph O'Reilly (19 letters in his name, just like Grace's), invites her to sit with him. Because no matter how organized you are, how many systems you put in place, you can't plan for people, who are unpredictable and full of possibilities. And suddenly, Grace may be about to lose count of the number of ways she can fall in love.










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